In the last installment of this series, we looked at a couple of the terms that relate to our subconscious ability to see things that are not there when we are out searching for the elusive one. This is one of the greatest obstacles to providing effective data in our search for this creature we call Bigfoot. In some ways, we could even go so far as to say that our earnest desire is actually crippling our efforts to a great degree.
If you have been hooked on Bigfoot for any length of time, and if you are reading this, you are hooked on Bigfoot, then you will likely have seen hundreds if not thousands of photographs and videos presented by people that claim that their particular photo or video is the proof positive shot of the truth, the image that proves Bigfoot exists.
But there really isn't anything there to see. It's just a picture of trees and shadows dotted with occasional flashes of light. Don't get me wrong here, I am not saying all Bigfoot photos are made of the stuff we call imagination. I have seen plenty of good images that depict what we call Bigfoot today. There are some good photographic and video evidence that are more than compelling. But we'll get to those at some other time.
What I am saying here is that more often than not, the Bigfoot we see are mere reflections of our imagination. We see something moving in the woods, and because we so badly want to see this thing we call Bigfoot that whatever is really there becomes this creature. So, for my second piece of advice here, (my first was to try to buy a camera with an optical viewfinder), I strongly suggest that you learn to keep your imagination in check at all times.
A lot of people go into the woods and call themselves Bigfoot researchers, but are they really researchers? Not really. That would be like a casual birdwatcher calling themselves an ornithologist, in a way. You are not really researching if you are just blindly walking around hoping to stumble upon some valuable piece of evidence.
When it comes to the photographic or visual component of data, we very often make some fatal errors when we examine the picture in front of us. One component is the three dimensional, or 3D aspect of what we are looking at. When we look at the real world, we are viewing it in three dimension; width, height, and depth. However, when we look at a reproduced image, we are only looking at two dimensions, width and height.
Granted, there are cameras today that can provide us with a stereoscopic image that we call 3D, but how many photos have you seen of Bigfoot that were made with one of those cameras? I'm guessing probably none. Therefore, when we look at one of these images, whether it be a photo or a video, we are looking at a reproduction of what someone else saw, but it is missing that third dimension of depth.
Because we can only see images in two dimensions, we are not seeing what the person who took and shared the image with us, exactly. Things look flat, in a way. However, this causes us to see the image in a different way than someone who was actually there, and we can easily dismiss what we are seeing as a hoaxed photo, or chalk the image up to a fantastic imagination.
Those of us that take these pictures and share them with the result of insult and humiliation getting tossed back at us, often become discouraged and more often than not fade into the background of the Bigfoot world, if not simply exit the arena stage left. That's too bad, because many of these pictures actually do contain images of Bigfoot, even though most people cannot see them for what they are.
In the next installment we'll talk about the Bigfoot face syndrome, and how we can change the way we take and present these images in ways that will make them more appealing, agreeable, and better evidence in our search for Bigfoot.
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